AI-powered3DproductvisualizationandCGIads.

For a catalogue of 50 SKUs, traditional product photography averages $500 to $2,000 per image and 3 to 4 weeks of studio time. CGI product content from SMAPIT runs $60 to $250 per hero image once the 3D model exists, with new colourways, backgrounds and campaigns rendered from the same asset at no re-shoot cost. The payback point usually sits around 20 SKUs or the first colour-variant refresh. Brands typically cut production cost by up to 70%.

A 30-second 3D product film ships in 3 to 5 weeks end to end at SMAPIT: 3 to 5 days building the product in 3D and giving it its real materials, 5 to 7 days for the animation and camera moves, 3 to 7 days for the computer to produce the final frames, and 3 to 5 days for edit, sound and changes. Brands who let us add AI cut this to 2 to 3 weeks, because AI can produce the backgrounds, extra shots and alternate cuts while the main 3D frames are still being made.

Only when the AI is working from a real 3D model of your product. Tools that generate from a text prompt alone slowly drift — the shape changes, the brand colour shifts, the logo moves, and no two versions match. Our in-house 3D to AI Bridge feeds the finished 3D shot into the AI as a reference, so every frame it produces keeps the product exactly right. That is how we ship 80 to 100 AI product videos every month across 50+ brands without any of them going off-brand.

Product photos, a spec sheet, a CAD file or a physical sample. Any one of those is enough to model from. We can also start before a product is manufactured, which is often the strongest reason to build in 3D in the first place.

Yes. The studio is in Gurugram, delivery is fully remote, and the working overlap is generous: European and Gulf hours through the day, US hours in the evening. US and UAE consumer brands run monthly production cadences with us across Amazon, Shopify, Meta, TikTok Shop, Noon and amazon.ae.

Yes. Our Brand Style AI learns your colours, fonts and product shapes before it generates anything, and every AI frame is checked against the finished 3D shot so the product itself never changes. That combination is what keeps a 50-version Meta test batch looking like one campaign rather than fifty different ones.